Vanishing Cultures of Ethiopia’s Omo Valley

Hamar, Karo & Surma Tribes


Deep into the parched bush, far from any city, Ethiopia’s lower Omo Valley is a lost world. At the nexus of Kenya, Ethiopia and Sudan—a region traversed only by a few beaten tracks of dismal quality passable only in the dry season—some 15 semi-nomadic tribes inhabit a region roughly the size of West Virginia. Much of this remote slice of Africa remains so tenaciously tribal that it has rebuffed most of the modernizing efforts of the outside world for more than a century—but that soon will change!

The Vanishing Cultures of Ethiopia’s Omo Valley Photo Safari is a true photographic expedition to encounter some of the most remarkable tribal peoples on Earth! To this day, the Omo Valley remains rich in traditional culture and human history. It’s been said: “If Africa was the mother of all humanity then the Omo River acted as a main artery!” Remains of early hominids dating back nearly four million years have been found in the Omo Valley—evidence of an almost continuous “human” presence.

Visiting three fascinating and extremely photogenic tribal groups known for their unique body painting and elaborate adornments, our photographers have access to the villages of the Hamar, Karo and Surma (Suri) people. We have the opportunity to photographically document their daily lives as well as to experience some of their timeless ceremonies. Meeting other tribespeople during our journey is likely.

The Karo and Hamar tribes practice flood retreat cultivation and a traditional pastoralist lifestyle that depends on the Omo River’s flood cycle. Cattle are a very important component of tribal life and, seasonally, entire families go to live in makeshift grazing camps with their herds, surviving on milk and blood from their cattle. Cattle raids and counter-raids from neighboring tribes present a constant danger, and the Karo and Hamar tribes are traditional allies in times of war. Marriage in both tribes requires “bride wealth”—a payment made to the woman’s family—generally consisting of numerous cattle, goats and guns. AK-47 rifles are extremely common in the lower Omo Valley and the Karo are major weapons distributers. Few men are ever seen outside the community without them. Intricate beadwork, animal skin clothing, rolled ochre-red hair, and graphic clay facial and body designs are hallmarks of Karo and Hamar art.

The Surma are also pastoralists and have raised the custom of body painting to an amazing art form. The additional application of local plant material, fruits and feathers enhances the effect. Photography here can be exceptional. The Surma women practice some of the most profound forms of body adornment in the world―inserting a 7-inch-diameter clay plate into their lower lips, and body scarification created with acacia thorns and (now in modern times) razor blades. Nudity is commonplace. The men are expert in a spectacular form of stick-fighting called Donga and pride themselves on the battle scars they carry. Traditionally, Donga is a place where young men prove themselves to attentive girls and acquire a wife. Today, Donga also prepares warriors for the bloodshed they face from enemy tribes, and provides the training needed to fight for Surma survival.

Cattle raids are a relentless part of Surma life. Their herds are under constant threat, and they, in turn, regularly steal the livestock of their enemies. Grazing land is under intense competition, particularly since the Sudan war has displaced neighboring tribes onto Surma land, and gun battles over territory are not uncommon.

This is a rigorous “trip of a lifetime”—one so out of the mainstream that we are seeking only the most adventurous, cooperative and hardy photographers to join us! Though the trip starts and concludes in a 5-star hotel, camping conditions during part of the tour will be marginally comfortable with small tents, sleeping bags and cots. And, considering the location, lodges comprised of Spartan concrete cabins with a flush toilet and cold shower will seem positively deluxe. We fly in chartered aircraft between distant locations, but experience rough and tiring drives between some villages. If you are inconvenienced by basic accommodations and lackluster food or are apprehensive in unfamiliar and unpredictable situations, this trip is not for you!

The precise time spent in each village depends on what ceremonies take place and the photo opportunities that present themselves―in true expedition style! We have left the program relatively flexible to ensure there is enough time to immerse ourselves in these remote and fascinating cultures.

Itinerary
Day 1

Depart from home.

Day 2 (Aug 21)

Arrive at Bole International Airport, Addis Ababa, Ethiopia. We meet for orientation and dinner this evening in our hotel lobby. (D)

Day 3

An early morning charter flight transports us to Jinka. Jinka is a market town and a crossroads for numerous tribespeople who trade on its dusty streets. We spend only a short time here as photography is chaotic and backgrounds are generally poor. We drive to Turmi, the center of Hamar territory, and make our first village visit. (BLD)

Day 4

We visit Hamar villages today. The Hamar are known for elaborate body adornments, extensive beadwork, and the male coming-of-age “bull jumping ceremony”—all of which are our photographic objectives. Timing of the bull jump is determined by the initiate’s parents and happens after harvest. The invitation—a strip of bark with a number of knots to cut off for each day prior to the ceremony—will be our only notice. As is the case with most ceremonial activities, we will know only a short time in advance of what may be planned in each area we visit during this trip. (BLD)

Days 5–7

We drive to Murulle. Here in the heart of Karo land we visit a tribe known for ritual body scarification, colorful beadwork and flamboyant body painting. With less than a thousand members, the Karo are the smallest tribe in the Omo Valley. Karo men scar their chests to represent enemies killed from rival tribes; women with a decoratively-scarred abdomen are considered sensual and desirable. Karo are also known for their exuberant and photogenic dancing. (BLD)

Days 8–11

Our charter aircraft meets us at the Murulle airstrip and we fly to Tulgit in the remote Surma homeland. Known only to a small segment of the outside world—primarily for the incredible lip plates worn by some women and the ritual stick-fighting called Donga—the real photography opportunities with the Surma are in the fantastic clay facial and body painting that can rival the finest modern graphic design to be found in the art galleries of the Americas and Europe. Our group has four days to spend with the people living in the area near our campsite. As they get to know us, more and more people in amazing body adornment venture out to meet us. We also hike to meet them. Small family settlements branch off on narrow tracks from the central roadway near our camp—hiking is an important part of visiting Surma villages. At their homes we photograph everyday life—time with the children, cooking and livestock chores, and tending to crops. Of course, if we are present at the time of a Donga we are sure to attend! (BLD)

Day 12

We break camp and fly to Addis Ababa. Depending on our flight schedule, we have time for local city shopping. (BLD)

Day 13 (Sep 1)

Depart for home in late afternoon or evening. (B)

Day 14

Arrive home.

Ethiopia Photo Tour Details

Dates
Aug 20–Sep 2, 2010
Fee
$13,995 from Addis Ababa, Ethiopia
Deposit
$850
Limit
12

Special Terms & Conditions





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